ABOUT BW/VISION BLACK AND WHITE FINE ART
PERSONAL AND UNIQUE VIEWS ON THE CRAFTSMANSHIP AND THEORY BEHIND PHOTOGRAPHY AS AN ART FORM
WHY: ART HAS THE FUTURE
Mankind cannot compete with computers when it comes down to learning things. Soon AI, computers, and robots, can do anything better than us. And that will open the door to our true destiny: to live and express ourselves in meaningful ways and leave machines and AI do what they do best. My view on art and what it is, is that art communicates what it is to be alive and to feel in this world. What it is to be human. Art is the only medium that reflects the human condition and the only medium that enables the human condition to be understood. Therefore no AI, no computer will ever be able to truly create art as it does not know what it is to be alive and to feel and cannot communicate a human condition. Hence, if we focus on giving expression and understanding the human condition, if we focus on creating and understanding art, we are on the right track to our true destiny.
With BWvision we try to contribute to communicate through art and understand it. Our medium of choice is photography, and we are passionate about education, innovation, and sharing of information. Artists are the leaders of the future in which we either create or consume art.
WHO: WE HAVE AN ORIGINAL AND DIFFERENT TAKE ON PHOTOGRAPHY YOU WON’T FIND ANYWHERE ELSE
BWVISION is a website, founded in 2009, on black and white photography and fine-art photography with a focus on in-depth educational tutorials and opinionated articles to advocate and propagate fine-art and craftsmanship in photography. BWVISION is also a registered company that conducts educational and commercial activities in the world of photography, online and on location, around the globe.
In our tutorials and articles we always try to avoid the mainstream topics in photography as they can be found plenty anywhere else. If we touch on one of those mainstream topics, then we only discuss them if we can contribute to the topic in a way that is substantial, critical, personal and adds to the available public domain knowledge. If we can’t innovate and contribute significantly, then we feel it’s redundant to spend a word on it. Hence, you won’t find tutorials or articles here with rehashed information, only original information that’s beyond the ubiquitous. This also means that we sometimes publish very technical and other times very theoretical information that’s not for everyone. But as a rule we publish information, representing and describing out-of-the-box and innovative techniques, methods and approaches that are the reflection of years of experience and experimenting by the author.
HOW: SOME OF OUR HIGHLIGHTS
- We arguably have the most complete and detailed free tutorial on long exposure photography available on the Internet, on this website. Also, arguably, the first to publish such an elaborate article for free on the Internet since the summer of 2009 [more]
- Some of the standards advocated and initiated in our long exposure tutorials that have evolved over the years, have become worldwide standards. For example, shooting long exposures with an exposure time of around 5 minutes at f/8 with 16 stops has now become the default recommendation amongst long exposure photographers. A recommendation that has been initiated and advocated in our tutorials.
- The author’s (Joel Tjintjelaar) personal method of Black and White post-processing, called iSGM, that was developed between 2009 and 2010, and first made public early 2011, is a method of post-processing in black and white, that is being increasingly used amongst black and white enthusiasts with professional aspirations, due to its high degree of control and structured way of working [more] and [more]
- Split-toning in the digital age has always been a matter of using plugins or presets in PS or LR software. Often those split-tone results weren’t very subtle with limited control on the end-result. Joel has developed a new method of creating split-tones that is transparent with a high degree of accuracy and delivers far more control over the individual tones and also more subtlety than the average plug-in or preset [more] – this method has been implemented in the Black and White fine-art panel released in May 2016.
- We’ve developed a new method of masking intricate objects based on a technique and algorithm that is proprietary and delivers very accurate and fast results. This method found its way in a panel that was released in November 2017. [more]
This is just a short listing of the type of technical tutorials we’ve published over the years that shows our innovative and experimental spirit. On a more theoretical level we’ve also published the following articles that contains information beyond the ubiquitous and again shows our drive for innovation:
- What is fine-art – a highly personal view on what art is in photography [more]
- The creative process in art – an analysis on creativity and how to learn creativity [more]
- In defense of black and white photography – an analysis why black and white is used and its advantages compared to color photography based on some findings in neuroscience. [more]
- Guide to black and white photography – technical essentials on black and white photography that goes further and deeper than the usual tips on black and white photography [more]
- The rules of gray – what makes for a good black and white photograph [more]
We will continue to publish articles that go beyond the mainstream articles on photography, yet remain practical and accessible for the photography enthusiast who wants to deepen his understanding of main principles in photography.
WHO WRITES THE TUTORIALS
The majority of our tutorials have been written by owner and founder of BW/Vision, Joel Tjintjelaar.
Joel Tjintjelaar – BWvision.com Owner and Founder, B&W fine art photographer/ educator/ writer.
ABOUT JOEL TJINTJELAAR / OWNER AND FOUNDER BW/VISION
Joel Tjintjelaar is a black and white photographer, author and educator who teaches workshops on black and white and fine art photography, architectural photography and long exposure photography, around the world. Born in Jakarta and moved to the Netherlands as a young boy, Joel calls the world his home, not so much the country he lives in. Having aspired for the more artistic professions like architecture, music and writing from an early age, Joel ended up studying Criminal law and working in the IT for many years to make a living. This, however, could never suppress his needs for creative expression, and photography was his preferred way of meeting those needs. For Joel photography didn’t stop with just clicking the shutter. That was just a necessary part of an approach to photography and art that also encompasses a specific way of black and white post processing in the digital darkroom. He developed his own signature method of post processing that has been adopted by many of his students and followers around the world, to not only create beauty but also communicate emotions. His love for writing is reflected in the many tutorials and essays he wrote on photography and how art can be created with that medium.
Joel is also the co-author with Julia Anna Gospodarou of the 424 pages eBook From Basics to Fine Art – Black and White Photography – architecture and beyond released in 2014.
Here’s just an example of what others say about the book. In this case George DeWolfe:
“Outside of Ansel Adams’ Basic Photo Series, From Basic to Fine Art, by Joel Tjintjelaar and Julia Anna Gospodarou, is the best book on B&W photography written in the last 40 years.”
– George DeWolfe – Fine Art Photographer, Instructor & Writer (Luminous Landscape.com)
I’ve given it a lot of thought and consideration to replace my artist statement, which you can find after my personal statement, with something more personal, a personal statement that you can find here below because not only do I doubt the authenticity of many artist statements, I also think they’re often meaningless and too abstract. And I can imagine you may doubt my artist statement too and find it a prime example of meaningless and abstract. But I decided to keep it as a ‘formal’ statement for those of you readers, who believe that any artist should have a formal statement. I’m not one of them, because I believe my personal statement says more about me and what I try to express in my creations, than any formally constructed artist statement.
So here it is, my PERSONAL STATEMENT.
I’m an easy going man but I can be very difficult at times, especially if I feel you want to impose your thoughts and believes upon me.
I’m openminded and flexible but sometimes I’m very rigid, dogmatic, especially when I know I’m right and you’re wrong.
I’m a person of color and I’m proud of that, and if you think I’m less because of my color I will show you how much more I am than you. And you will know.
I’m a man, but that doesn’t mean that my biological, purely coincidental constitution, constitutes and determines my social-cultural behavior. Even if some people think it does. I think of men and women as human beings, not as men or women.
I don’t like sexist jokes or behavior, no matter if you’re a man or a woman.
I’m not easily impressed by what you’ve achieved, but more by how you treat other people and your ability to ‘give’ in the broadest sense of the word.
I’m passionate and full of fire when it comes to things I love and believe in. And the fire will keep on raging. So don’t think you can tame me even if you think I’m bordering to insanity.
I give respect to anyone I come across, no matter who you are: man, woman, child, foreigner, white, colored, LGTB, educated, not educated, blue-collar worker, white-collar worker, celebrity or just the average Joe. So I expect respect in return and I will let you know if you don’t give me the respect I deserve as a human being and that I give to you, no matter who you are: celebrity, genius, president or the average man. I will let you know and you will feel it.
I don’t look down on anyone, I don’t look up to anyone, I see you as you are. I expect the same from you.
I always think before I say or do things, so if you say things to me, I hope you’ve thought about it first.
I sometimes try to sell things here, and I believe I can do that since this is my personal page and because I’ve given a lot for free over the years and still give a lot for free. You give some, you take some and I’ve always given more than I took.
If you write me an email, I appreciate the correct informal salutation. It’s a sign of respect, no matter if you bought a product or service from me and assume the purchase entitles you to more than you paid for. You can buy my products in which I put everything I have in terms of knowledge, effort and experience but you can never buy me. You’re entitled to my services, but you’re not entitled to be disrespectful towards me.
If you don’t like what I wrote here or don’t like the way I look, there’s an unsubscribe button. No hard feelings. But if you keep visiting my blog, I expect you to respect my thoughts and feelings. Me.
Joel believes strongly that the purpose of art is to communicate what it means to be alive and to feel. It is a necessary expression and acknowledgment of the human condition. As such, he’s continuously trying to evoke an emotional response with his photographs by trying to capture and create what he feels in the process of shooting and processing.
He likes to quote painter Mark Rothko saying:
“I’m not an abstractionist. I’m not interested in the relationship of color or form or anything else. I’m interested only in expressing basic human emotions: tragedy, ecstasy, doom, and so on.” .
Even though Joel doesn’t want to limit himself to specific genres or subject matter, his focus is often on architectural objects but his love goes out to portraiture photography. In his architectural photographs, Joel is merely trying to use architectural objects as symbols, as universally understood characters of a 3 dimensional language. And he is using black and white and long exposure techniques as a way to move away from reality to prevent from a too literal interpretation of what he’s trying to visualize and ultimately communicate.
This, however, requires an acceptance of the inherent limitations of photography that, in the words of Susan Sontag, a painter constructs and a photographer discloses: as a photographer you cannot ignore the dominant position of the captured object from reality that fills the frame. But with his black and white techniques Joel tries to eliminate the dominant object matter, by adding enhanced shadows or highlights, reducing or increasing selective contrasts, using unexpected tonal relationships, to redirect or mislead the eye and hence transform the captured objective reality to a subjective reality in which the subject matter, human emotions, prevail and the object matter is reduced to a symbol.
In the end, Joel believes it doesn’t matter what is captured and shown in a frame as they’re all symbols to communicate what it means to be alive and to witness the world.
As of April 2015 a selection of Joel’s work can only be purchased in a very limited edition at the Rotella galleries in New York City and Las Vegas in the USA.
Rotella Gallery – SoHo New York City: 468 West Broadway, New York, NY10012
Rotella Gallery – Bellevue Square: Bellevue, Washington – USA
Also a small selection of Joel’s work is exclusively available as a limited edition at the Joseph and James gallery in Amsterdam, The Netherlands.
Joseph and James Gallery – Bloemgracht 2, Amsterdam, The Netherlands
2014 International Photography Awards (IPA): 1st place winner in Architecture for Professionals– for the winning entry “Visual Acoustics – Silence and Light – Series 2 Bridges”. A series of 2 photographs on bridges in an urban environment based on Louis Kahn’s concepts on the magic of shadows.
2014 International Photography Awards (IPA): Honourable mention in Architecture for Professionals – for the winning entry “Visual Acoustics – Silence and Light – Series 1 Cityscapes”. A series of 5 photographs on cityscapes based on Louis Kahn’s concepts on the magic of shadows.
2013 International Photography Awards (IPA): Honourable mention in Advertisement: Automotive for Professionals– for the winning entry “Classic Cars in Classic B&W Fine Art”. A series of 5 photographs of classic exotic cars against an architectural or landscape setting in B&W, used for a calendar in the automotive industry.
2012 International Photography Awards (IPA): 2nd place winner in Architecture for Professionals – for the winning entry “Shape of Light” . A series of 5 photographs based on Le Corbusier’s quote.
2012 International Photography Awards (IPA): Honourable mention in Architecture for Professionals – for the winning entry “A monochromatic slice of Mondrian: Monodrian” . A series of 5 photographs based on Le Corbusier’s quote.
2011 International Photography Awards (IPA): 1st place winner in Architecture – for the winning entry “Frozen Music” . A series of 5 photographs of Goethe’s Frozen Music concept.
2011 International Photography Awards (IPA): Honourable mention – Fine-art Landscape category for the winning entry “Zenith”.
2011 International Photography Awards (IPA): Honourable mention – Fine-art Landscape category for the winning entry “Dead-End”.
2010 International Photography Awards (IPA): 2nd place in Architecture – Bridges category for the winning entry “Zeeland Bridge Studies” . A series of 5 photographs of the Zeeland Bridge in the Netherlands.
2010 Sony World Photography Awards (SWPA): Shortlisted and finalist in the Landscape category with Bridge Study IV.
2010 Sony World Photography Awards (SWPA): Special commendation in the Architecture category with Connected.
Too many to mention but Joel has been published in leading photography magazines worldwide, from 2009 up to date. Furthermore featured on countless websites and on Dutch National TV in 2013. His work has been used in major global ads for BMW and by Broadcasting networks.
Joel also appeared as an ambassador or ‘the face’ of various products related to photography: