Top 10 photographers who influenced photography to become what it is today (and any serious photographer should know)
The photographers are randomly ordered and the order doesn’t reflect any ranking nor does this pretend to be an extensive list.
Steichen partnered with Stieglitz in 1900, which resulted in the making of Camera Work.
Quote: “Photography is a medium of formidable contradictions. It is both ridiculously easy and almost impossibly difficult. It is easy because its technical rudiments can readily be mastered by anyone with a few simple instructions. It is difficult because, while the artist working in any other medium begins with a blank surface and gradually brings his conception into being, the photographer is the only imagemaker who begins with the picture completed. His emotions, his knowledge, and his native talent are brought into focus and fixed beyond recall the moment the shutter of his camera has closed.”
2. Alfred Stieglitz 1864 – 1946 – Some say he’s the spiritual father of fine art photography. Founded Camera Work, a quarterly journal, considered to be the best and most beautiful photo magazine ever made. Created a series of photos that only depicted clouds without any other reference points, called Equivalents, which can be seen as the start of fine-art in photography. Later on, Minor White wrote a famous essay on Equivalents, explaining Stieglitz’ concepts behind Equivalents. The clouds as subject matter didn’t matter, it was the feeling conveyed and the symbolism that mattered. Stieglitz was also a friend of Steichen and co-founder of the Photo-Secession, a movement that promoted fine art photography. Creator of iconic photographs like the Steerage, Spring Showers and several series of portraits of Georgia O’Keeffe
Quote: “It is not art in the professionalized sense about which I care, but that which is created sacredly, as a result of a deep inner experience, with all of oneself, and that becomes ‘art’ in time.”
Quote: “To photograph is to hold one’s breath, when all faculties converge to capture fleeting reality. It’s at that precise moment that mastering an image becomes a great physical and intellectual joy”
Quote: “It’s not always easy to stand aside and be unable to do anything except record the sufferings around one.”
Quote: “Dodging and burning are steps to take care of mistakes God made in establishing tonal relationships”
One of the greatest portrait and editorial photographers of the past century who made many famous portraits of equally famous people. From Muhammed Ali and Kennedy to Churchill, Bogart and Hepburn: they were all iconized in front of Karsh’ camera. Karsh was known to give significant importance to the hands of his subjects, as any good portrait photographer would do, and he would lit their hands separately. Many of his photographs are familiar to many people even though they might not know the artist behind it.
Quote: “When one sees the residuum of greatness before one’s camera, one must recognize it in a flash. There is a brief moment when all that there is in a man’s mind and soul and spirit may be reflected through his eyes, his hands, his attitude. This is the moment to record. This is the elusive moment of truth”.
Edward is regarded as one of the great American photographers who mastered the landscape, the portrait and the still life photograph. Especially known for his famous photographs of a pepper that many photography students still try to emulate. What not many people know is that Weston described the concept of pre-visualization at least ten years earlier than Ansel Adams who made this a term that every photographer today knows about. Together with Ansel Adams he was part of a group of San Francisco photographers called Group f/64 who emphasized the precisely focused and correctly exposed subject.
Quote: “Anything that excites me for any reason, I will photograph; not searching for unusual subject matter, but making the commonplace unusual.”
Environmental portrait photographer. Arnold Newman took the art of portraiture to another level by trying to include the natural habitat of his subjects in his photographs. Newman did that in a way that also gives an indication of the profession and passions of his subjects. Many times he framed his subjects, very often other famous artists like painters, musicians and architects, in such a way that they became part of their own artistic creations. Newman kept records of his photography sessions in so called ‘sitting books’ in which he would record details of that session. The two pages below depict the sessions with composer Igor Stravinsky for probably his most famous environmental portrait photograph.

Quote: “I am convinced that any photographic attempt to show the complete man is nonsense. We can only show, as best we can, what the outer man reveals. The inner man is seldom revealed to anyone, sometimes not even the man himself.”
Long exposure black and white minimalistic photography is quite a popular genre the last years and is still gaining in popularity. But despite the long list of great long exposure photographers of late it all started with Michael Kenna. Perhaps not the first long exposure photographer – who can tell? – but surely the photographer who was at the start of long exposure photography as a very popular genre. Kenna’s long exposure photographs are often times focused on night time long exposure photography with exposure times extending to 5 hours or more, of course using analog cameras. But besides the typical long exposure photographs with mainly seascapes and a famous series with nuclear power plants, called Power Station, Kenna also created a breathtaking series of lone trees in the snow. Michael Kenna, truly an artist who had a decisive influence on today’s photography.
Quote: “Photographing at night can be fascinating because we lose some of the control over what happens in front of the camera. Over a period of time the world changes; rivers flow, planes fly by, clouds pass and the earth’s position relative to the stars is different. This accumulation of time and events, impossible for the human eye to take in, can be recorded on film. For the photographer, real can become surreal, which is exciting. During the day, when most photographs are made, scenes are usually viewed from the vantage-point of a fixed single light source, the sun. At night the light can come from unusual and multiple sources. There can be deep shadows which act as catalysts for our imagination. There is often a sense of drama, a story about to be told, secrets revealed, actors about to enter onto the stage. The night has vast potential for creativity.”
When we’re talking about documentary photography an extensive list of photographers come to mind but Dorothea Lange surely was one of the most prolific in this genre. She received a lot of recognition with her series of photos of migrant families. She documented the consequences the Great Depression had on displaced farm families, commissioned by the Farm Security Administration When looking at her most famous photograph Migrant Mother, it reminds me, despite the obvious lack of colour, so much of Steve McCurry’s Afghan Woman. I’d say, that Migrant Mother is the Mother of this Afghan woman on more than one level.
Quote: “I am trying here to say something about the despised, the defeated, the alienated. About death and disaster, about the wounded, the crippled, the helpless, the rootless, the dislocated. About finality. About the last ditch.”
1. Julius Shulman: One of the greatest architectural photographers ever.
2. Richard Avedon: One of my favourite portrait/fashion photographers who created many iconic photographs of celebrities
3. Irving Penn: Another famous portrait photographer
4. Hiroshi Sugimoto: Japanese artist whose work can be seen on the U2 Album cover, ‘No line on the horizon’
5. Nick Brandt: Still alive and relatively young compared to the mostly deceased photographers listed here. He documented the disappearing world of the African landscape, mainly wildlife with a strong fine art approach.
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Joel Tjintjelaar
All excellent choices. I’m especially pleased to see Dorothea Lange on your list. All too frequently, she tends to be overlooked in preference to her contemporary and FSA colleague Walker Evans. Not to diminish Evans’ work, he showed us what the Great Depression looked like in the U.S.. Lange showed us what that Depression felt like. It take special skill and empathy to capture emotional impact; Dorothea was a master of such throughout her all too short career.
I’d like to add an artist here worth exploring.
Jack Stuler, 1932-2015. Photography Professor, started the MFA program in photography at ASU, taught for 35 years there, and was an incredibly prolific artist, processing all of his own film. He chose to teach art rather than pursue recognition, as the intro by Bill Jay explains in the book of Stuler’s work, “In The Nature Of Things” by Nazraeli Press, 1990. His works “chronicles a quest for meaning throughout a lifetime of commitment” (Bill Jay). Yet, his photographs belong to respected collections worldwide. He pushed photography forward as an accepted art in the early days when photography was gaining acceptance as a fine art, and then further still with every image daring the viewer to search for hidden meaning beyond what we know. A master, and true artist who cared more about his students and taking pictures than recognition, which means most people probably won’t get to see his brilliant works without a little searching.
Thanks for your article, and allowing me to add an artist worth noting.
It’s not about representation, it’s about great photography.
I agree with the folks that say gender or race shouldn’t matter. The work should be blind. I do acknowledge (as a woman) that men have traditionally had more success and exposure in photography but then there are Berenice Abbott, Dianne Arbus, Vivian Maier, Helen Levitt, (as you mentioned) Dorothea Lange and others. Some would argue that had they been men, their work would have been more widely praised and recognized. But this is the way the world works. Let us all remember that many of the greatest artists don’t give a rat’s ass about recognition. The create because they HAVE to. Their art is their work and their life’s meaning. Vivian Maier was an incredible street photographer and her work was not discovered until after her death, locked away in a trunk. She labored in obscurity, as many artists do but whether in life or in death, the work speaks more loudly than self promotion. We select “Top Tens” to give context to the artform and to instruct…as examples of the pinnacle of the craft but I hope not to “rate” these artists in order of importance relative to others.
I love this website and the articles and the comments. It is so wonderful to see some intelligence about photography as an art form. You are keeping the flame burning in a world of instant gratification where everyone calls themselves a “photographer”. Thank you for all you do, Joel to share your expertise and help us become better artists.
The top 10 of photography ( or anything for that matter) is not about race, sex , colour etc.It is about the top 10 photographers full stop and if they happen to be all male , all female, black ,white, so be it.Its absurd to think eg more women should be in the top 10 simply because they are women.There were very few serious women photographers in the ‘golden era’ of film say pre 1970 .We are producing very few outstanding photographers in recent times, with the exception eg of Michael Kenna ( and he shoots film, or did anyway).I think its a lot to do with the digital age where very few people print- a great photo is just a 1000 likes then it is gone.Our brains are being bombarded with millions of images that have little meaning.
Marrion Post Wolcott
Wow. Good call. No doubt she should be in the Top 10 ^^^
Obviously only one woman is in the top 10
Where is the black artist! Who no undoubtedly trumps these you choose to showcase here
Yeah, and where are the artists with red hair. This article is anti ginger
Marrion Post Wolcott – say no more.
Hi, thanx for the List. It is important to study some of the works form listed photographers.
Just one woman represented?
I know, I should do better – please read my upcoming similar post in which more women will be represented.
Count again.